[ ショップ名 ] あめりかん・ぱい

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[ 現在価格 ] 3390 円 (税込)

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[ PRポイント ]

【ただ今クーポン発行中です】

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[ 商品説明 ]

発売日: 2021/8/13輸入盤UKレーベル: Ace Records Uk収録曲: 1.1 Beat Of My Own Drum1.2 We Share The Same Sky1.3 The Truth About Lying1.4 Deep Pockets1.5 When You’re Feeling Blue1.6 Back In The Day1.7 Your Heart Sets You Apart1.8 In Times Like These1.9 Now You’re Stardust1.10 Up Yours1.11 Howling, Howling1.12 Putting My Dreams On Holdコメント:2021 release. Dana Gillespie's affair with the blues shows not the slightest sign of flagging. Deep Pockets, the follow-up to 2019's Under My Bed, is a collection of 12 Gillespie originals, mostly written with long-standing lead guitarist Jake Zaitz. It is a reflective album, born of Covid lockdown. Deep Pockets has arrived earlier than scheduled. After the first UK lockdown prompted a rush of industry from Dana and an album's worth of songs, she and her band flew off to play the Lugano Blues Festival. With a house on Lake Maggiore at their disposal and no way of knowing when the London studios might reopen or close again, recording impromptu suddenly seemed like a good idea. Everything you hear was captured in that dazzling summer setting over just four days, in either one or two takes; that's why the music has such a distinctive heat, zest and spontaneity. Nothing's been overworked or unduly titivated, and Dana's voice, unerring in it's pitch and as expressive as ever, is just how it sounds in a live show.2021 release. Dana Gillespie's affair with the blues shows not the slightest sign of flagging. Deep Pockets, the follow-up to 2019's Under My Bed, is a collection of 12 Gillespie originals, mostly written with long-standing lead guitarist Jake Zaitz. It is a reflective album, born of Covid lockdown. Deep Pockets has arrived earlier than scheduled. After the first UK lockdown prompted a rush of industry from Dana and an album's worth of songs, she and her band flew off to play the Lugano Blues Festival. With a house on Lake Maggiore at their disposal and no way of knowing when the London studios might reopen or close again, recording impromptu suddenly seemed like a good idea. Everything you hear was captured in that dazzling summer setting over just four days, in either one or two takes; that's why the music has such a distinctive heat, zest and spontaneity. Nothing's been overworked or unduly titivated, and Dana's voice, unerring in it's pitch and as expressive as ever, is just how it sounds in a live show.